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The last track, "Aria" (Air), features the guest vocalist Lino Vairetti interacting with Grazia Maremonti. Pictures of a vanity fair where you can get lost between temptation and deceit.
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The music and lyrics evoke new forms and colours coming to life as darkness falls down, tableaux painted in vivid colours, an illusory world of modernity and brilliant night entertainment where every novelty becomes a fatal attraction. The long, complex "Laboratorio 30" (Laboratory 30) is a dreamy piece that goes through many changes in mood and rhythm. Everything turns around like in an eternal come back. The music and lyrics evoke the memories of a lost love emerging from an inner sea of emotions, then the rhythm rises, the memories turn into a vortex and begin to dance in circles, hand in hand with time. Next comes "Nei ricordi del tempo" (In the memories of time) that starts by a calm section veined of nostalgia. Finally the violin returns to drive back the music in a classical world following other directions. Then the rhythm rises for a short passage that recalls a folkish dance led by the violin that turns into a swinging jazz part with the piano in the forefront. The opener "Ortus confusus" is an instrumental piece that starts softly, with a dreamy atmosphere and a strong classical flavour. The overall sound is rich and varied, the musicianship and compositional skills of the band worth noting.
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In 2009 the band self-released an interesting debut EP entitled "Atto I" with a line up featuring Massimiliano Monopoli (violin), Grazia Maremonti (vocals), Massimo Bozza (bass), Vincenzo Zecca (guitar), Pierfrancesco Caramia (drums) and Francesco Pagliarulo (piano) plus the guest Lino Vairetti (vocals on one track - from Osanna). Plurima Mundi came to life in Taranto in 2004 on the initiative of classical violinist and composer Massimiliano Monopoli with the aim of blending progressive, jazz, rock, swing, blues, funky, world and classical music to give form to something challenging and new. Its not only a 'must have' album in the 'prog' genre, but the 'rock' genre as well. It is not a minute too long nor a minute too short. At times, atmosphericĪnd ethereal, and at other times intense and rocking. The title track of Close to The Edge is one of the more perfect epics ever committed to record. ' Siberian Kahatru' is the driving, rockier track of the three, although as I have written before, I preferred it done live.Ĭheck out the superb version from 'Yessongs.' This album is worth owning just for that one track alone. And to my mind, they never bettered it live. Track or Siberian Kahatru(they would better that one live), but the stately 'And You and I.' That is one track where the All I can add is that the standout track for me is not the title There isn't much that I can add to most of the positive reviews that have already been posted and there are reasonsįor all these praises.